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Miao Tin Embroidery
Publish：China Guizhou Travel Guide Time：2018-05-11 Views:1249
Guizhou Tin Embroidery
Usually Miao people prefer calling themselves as Hmong, and in Miao language embroidery is also named Hmong. As a Miao(Hmong), I find there are many interesting things in our language. The same or similar pronounciation indicates the two different things have have some relationship, and share some common place in our Miao(Hmong) culture. For example, Buffalo in Miao language is Nee, while silver is also called Nee, this tells people how important the buffalo is for a Miao(Hmong) family. Buffalo helps Miao(Hmong) people plough rice paddy fields.
In some Miao community, the locals are short of silver, they would use other material to replace silver. That‘s the reason why some Miao group who lives in Jianhe use tin to make embroidery to match their jacket and pleated skirts.
Once tin embroidery used to be a craftsmanship hidden deep between the faraway mountains,but due to the occasional encounter with domestic tourists or foreign friends, the unique Hmong minority tin embroidery from Jianhe (Qiandongnan county) became known to the world. After having been past down for 600 years,it became part of Guizhou’s first batch of “Chinese Intangible Cultural Heritage”. Nowadays due to the impact of multiculturalism,this unique embroidery skill is gradually disappearing.
Hmong costumes are said to be “history books worn on the body”,because their history is so long and their origins not yet determined. A Hmong ancient song says: “At the end of the Tang dynasty, beginning of the Song dynasty, the Hmong ethnic group migrated down from the central plains to Jianhe county, and have a history of more than one thousand years. Tin embroidery is the most unique kind of Hmong embroidery among the twelve kinds existing in the county. In appearance, the tin embroidery clothing resembles the military uniform armor style from the warriors of the Spring and Autumn Warring States Period (770 B.C to 221 B.C).
The Hmong tin embroidery is different from the other styles of embroidery: they use a blue-black cotton cloth as a base on which they embroider with a four-color thread (black, red, blue and green) the traditional patterns and flowers.Thereafter they use thin tin thread, shaped like a needle with a hook, to embroider the traditional patterns a the shirt’s back, skirt’s front and back. Silvery white thread contrasts well with the black cloth and the results are very bright and has good texture, like silver clothing. It matches well with a silver hat, silver earrings, silver chains and silver bracelets and makes them look gorgeous and noble.
Originally, tin embroidery was used to measure a girl’s growth,to see the way she interacts with people and her cleverness. But nowadays,more and more young girls go out to work in the city and don’t learn the traditional ways,so tin embroidery is on the verge of disappearing. Besides, very few young people are willing to understand the meaning of the cultural content and patterns, the cultural significance is lost on them.
Fortunately, in order to save this dying culture, the government opened a “Jianhe Hmong tin embroidery protection and development training base”at the local school.The tin embroidery has already entered the classrooms; They also give rewards to embroiderers or organize a showcase, so that skilled craftsman can come forward.
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Bill ZHANG